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Read the latest published articles in music scholarship.
Last Updated: Jul 17, 2015 URL: http://libguides.cim.edu/journals Print Guide RSS UpdatesEmail Alerts

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Musicology Journals

 

Latest Journal Scholarship!

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Current Musicology

Early Music

Journal of the American Musicological Society

Music & Letters

Musical Quarterly

Musical Times

Tempo

twentieth-century music

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Current Musicology

CM was founded in 1965 by graduate students at Columbia University as a semiannual review that would primarily serve the needs of musicologists who are about to undertake, are presently engaged in, or have recently completed their graduate studies. From its inception, the aim of the journal was to publish short articles of research, criticism, and opinion, predominantly by younger authors.

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Early Music

Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. 

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Journal of the American Musicological Society

One of the premier journals in the field, the Journal of the American Musicological Society (JAMS) publishes scholarship from all fields of musical inquiry: from historical musicology, critical theory, music analysis, iconography and organology, to performance practice, aesthetics and hermeneutics, ethnomusicology, gender and sexuality, popular music and cultural studies.  

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Music & Letters

Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews section, the most comprehensive and thought-provoking in any musicological journal.

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Musical Quarterly

The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. 

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Musical Times

Now 168 years old, The Musical Times is the world's oldest continuously publishing classical music journal. Based in the UK, it appears four times a year, usually in March, June, September and December, and is available by subscription. Single current and recent issues may also be obtained. Older issues, dating back to 1844, are archived by JSTOR.

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Tempo

Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical.Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.

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twentieth-century music

twentieth-century music is a unique publication dedicated to leading research on all aspects of the music of the twentieth century - a period which may be interpreted flexibly to encompass music from the late-nineteenth century to the early years of the twenty-first. The journal explores Western art music, music from non-Western traditions, popular music, film music, jazz, improvised music and performance practice. Whilst it does not style itself as revisionist, the journal is guided by the principle that existing assumptions about twentieth-century music and the ways in which it has been and is currently studied should be rigorously examined and re-examined.

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